Sunday, 24 November 2013

Van Morrison rocks with Jesus



 
Eric Schansberg wrote the following post regarding the religious aspects of Van and his work. 
Van Morrison rocks with Jesus...
Ever since Van Morrison emerged in 1965 as the R&B-shouting lead singer of Them, record stores have stocked his music under "rock," but they could've just as easily stocked it under "soul," "blues," "jazz," and—occasionally—"gospel." 

Perhaps the only completely accurate Van Morrison category would be the one that Morrison himself has repeatedly embraced: "mystic." In dozens of songs documenting his Celtic soul's restless quest, he's made a career in popular music seem like a higher calling. 

In January Polydor/Universal Music launched its Morrison reissue campaign by releasing the first of what will eventually comprise 29 remastered, bonus-track-enhanced editions. Of the initial seven, Tupelo Honey (1971), Wavelength (1978), and Back on Top (1999) have long been bestsellers, but it's Into the Music (1979) and Avalon Sunset (1989) that will continue to fascinate Christians. (This was written a few years ago.  Albums were being reissued and then the work suddenly stopped.  Fans have a range of opinions about the whole process, but what most appreciated was the bonus material.) 

On Into the Music, Morrison sang of reading his Bible (Rolling Hills) and finding "sanctuary in the Lord" (Full Force Gale), on Avalon Sunset of God's all-sustaining omnipresence (When Will I Ever Learn to Live in God?) and the healing power of "Jesus' name" (Whenever God Shines His Light). The reissue adds a version of When the Saints Go Marching In, in which Morrison name-checks St. Augustine, St. Francis of Assisi, and St. John of the Cross. Coming from someone famous for Brown-Eyed Girl, such sentiments are attention-getting. What makes them compelling is Morrison's dramatisation of them as statements of deep conviction.

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